The composition will be built around the two flowers which will dominate at the top of the composition keeping the eye of the viewer central to the work. I may decide to extend some petals outside the frame as I draw, as this adds dimension but I may also decide to keep it all in the frame which 'contains' the subject
Monday, April 20, 2015
I have decided to consider the composition of the azalea flowers at the Spanish Steps in Roma. An outline takes very little time, but gives me a general feel for how the overall painting will look. I liked the two flowers sketched previously but will add more to fit the suggested form of the composition as I work. In the background areas, I shall add leaves and buds to create a more natural feel. There are similar plants in the Brisbane Botanical Gardens for me to use as models, but I shall try to create the lush quality of light that I experiences in Rome. Fortunately Brisbane has a similar light quality especially on the approach to winter where the light seems to have a 'crisp' quality.
The composition will be built around the two flowers which will dominate at the top of the composition keeping the eye of the viewer central to the work. I may decide to extend some petals outside the frame as I draw, as this adds dimension but I may also decide to keep it all in the frame which 'contains' the subject
The composition will be built around the two flowers which will dominate at the top of the composition keeping the eye of the viewer central to the work. I may decide to extend some petals outside the frame as I draw, as this adds dimension but I may also decide to keep it all in the frame which 'contains' the subject
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Sometimes it is all too easy to forget the value of sketching, both as a forerunner to a new work and as a means of keeping the skills sharp. It is quite therapeutic too isn't it?
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